Totally inspiring, utterly soaking up, ridiculously versatile and sounding extraordinary, VPS Avenger is quite in contrast to another synth out there.ProsStupendously effective and architecturally innovative2000+ waves, wavetables and samples. Epic modulation.ConsMod Matrix is too small.
Totally inspiring, totally soaking up, ridiculously versatile and sounding exceptional, VPS Avenger is pretty not like some other synth accessible.Pros+ Stupendously powerful and architecturally innovative2000+ waves, wavetables and samples. Epic modulation.Cons- Mod Matrix is too small.
Vengeance-Sound’s first ever digital synth is nothing if not bold.
Coded – like several its stablemates – through Keilwerth Audio, it unites analogue, sample-based totally and wavetable synthesis in a giant computer-fashion architecture, full of sequencers, filters, consequences and modulation. VPS Avenger (VST/AU/AAX), on paper as a minimum, is each inch the ‘energy synth’, then, but let’s see the way it fares in exercise…New Avenger
Avenger’s vector-based and resizable GUI is unfussy in its format. On the left are the file browser and Effects phase; inside the middle are the Oscillator segment and a tabbed page containing diverse editors, sequencers and modulation controls; and at the proper are the Filter, Amp and Shaper sections, and the Modulation Matrix. At the very backside of the interface sit the same old virtual keyboard/ wavetable view, and five freely assignable Macro knobs and buttons.
As with any synth, the action begins in Avenger’s Oscillator segment, in which up to eight – yes, 8 – supply signal generators are loaded. As well as those, Avenger also functions a full-on drum system section.
FM and AM knobs enable immediately transformation of the sound.
The preset drum library incorporates over one hundred sixty full kits, each with an accompanying collection, even though kits and patterns are mix-and-matchable, too, and you may drag your personal samples in. The package can be performed by way of the Drum Sequencer when a MIDI note is obtained, or unhooked from the Sequencer for triggering thru a keyboard or pads.
The Drum Sequencer is simple but effective. Click notes in with the pencil tool, pick them with the marquee device and modify the Velocity, Pan, Pitch and Gate time of the selected notes the use of the so-named knobs. Velocity also can be edited by means of dragging the stalks below each note, and rolls of up to eight hits can be distinct for man or woman notes.
Clicking a waveform famous that sample and its editing controls within the most important Editor. Adjustable parameters encompass Volume, Pitch, Pan and Spike, the ultimate for reinforcing transients (and additionally covered in Avenger’s essential Amp module). Additionally, the triggering can be offset in either route, for effortless ‘smearing’ of claps and snares – a welcome characteristic it really is all too rare in drum machines. Each drum also has its personal Route panel, for routing via the Shaper, Step Sequencer, Effects and Master Filter sections, however no longer the ‘insert’ Filter or Amp.
Avenger’s Drum module is exceptional a laugh and a worthy inclusion. It’s only a disgrace each channel can handiest load samples, no longer synth oscillators – even though we are advised that is planned for an replace.
Rather than surely merging the oscillators into a composite tone within the mixer, as different synths do, Avenger treats every one as a completely discrete sound supply, to be prompted and blended with others in the traditional way if preferred, or sent off down its own direction as the basis of a self-contained and one by one sequenced ‘tool’.
One oscillator could supply a bassline, while the following two blast out a lead, the next 3 a pad.
The Oscillator Route panel units the direction of the currently selected oscillator’s output signal, passing it thru your choice of the doubtlessly many energetic filters, amps, pitch envelopes, arpeggiators, trancegates, outcomes racks, and so on all of the way to very last output block. Thus, one oscillator should deliver a bassline, whilst the following two blast out a lead, the subsequent 3 a pad and so on, every ‘instrument’ caused via its own arpeggiator, processed thru its personal outcomes, and modulated through its own step sequencer, envelopes and LFOs – and all at the clicking of a unmarried note on your keyboard! Indeed, with that in thoughts, the oscillators can even be renamed.
When it involves modulation, Avenger is possibly the maximum nicely-equipped synth we have ever met. The numbers are mindboggling: 8 Pitch Envelopes, eight multi-breakpoint Mod Envelopes, eight Step Sequencers, four Amp Envelopes, 4 Filter Envelopes, 4 LFOs, 3 Macro knobs, an array of ‘Maths’ functions, all the usual MIDI messages and numerous CCs, and the oscillator Wavetable Envelopes and Vibrato LFOs. Needless to say, the list of targets is even greater widespread, protecting – we assume – every parameter of the tool, from the oscillators and filters to the arpeggiators and effects.
Up to 256 modulation assignments are made through dragging resources onto objectives or deciding on both within the Mod Matrix, even as quantities are set by using dragging the tiny triangles that seem subsequent to modulated parameters or the sliders in the Mod Matrix. Assignments are grouped with the aid of mod supply inside the Matrix and collapsible to lessen clutter, so you can switch any supply out to alternate all of its assignments straight away.
The modulators themselves are all well as much as scratch. The LFOs feature 17 preset waveshapes and three user-drawn ones; the Mod Envelopes may be synced to cycle over up to a hundred and sixty bars and consist of a Loop+Release mode, in which the signal loops to Release marker even as the be aware is held, then jumps to the Release factor, continuing until launched; and the breakpoint Pitch Envelopes are polyphonic, to give only some highlights.
You can insert Gain blocks anyplace you want in the sign path for volume adjustment, the Shaper (a fantastic waveshaping distortion module) is freely positionable, and a couple of clear out blocks in a Route may be arranged in any order. Other than that, the path is fixed – you can not location the Pitch Envelope after the results, say.
Each module may be bypassed, although, or removed totally (ie, lower back to the module selection menu on the top of the panel). Setting up the sign waft like this feels quite uncommon, but it approach each oscillator (or a group of them) can efficiently serve as a self-contained ‘synth inside a synth’.
The waft of each oscillator is represented at some stage in the interface by colour-coded bars on the pinnacle of each module – green for Osc 1, crimson for Osc 2, and so on. With so many of every module kind probably seen straight away, that is extremely helpful. You also can right-click on any block in the Route listing to discover its module within the interface thru a nifty animation.Choices, choices
Clicking the menu above the oscillator waveform display brings up an massive categorized list of sonic beginning points. You get the analogue staples, clearly – Saw, Square, Triangle, Sine and noise waves – however past those lies a veritable candy store of single-cycle waveshapes, samples (as much as 4 of which may be stacked in a unmarried oscillator) and wavetables.
There are someplace in the place of 500 waves, 500 wavetables and well over a thousand samples, imparting an almost overwhelming 5GB library of oscillator gasoline in every manageable class. While the expected dance and electronic-oriented sounds dominate (that is Vengeance, in spite of everything, and that is very much its bag), there are also loads of acoustic and electric powered tool samples in there. Oh, and you can draw your personal waveshapes freehand using the mouse, too, and load your personal samples in as wavetables, so there is honestly no restrict to what Avenger can use as source fabric in each and every certainly one of its oscillators.
On the left-hand side of the Oscillator phase, along adjustable quantity, panning, tuning and noise, FM and AM knobs allow on the spot transformation of the sound, each drawing on various nine fixed waveforms and three editable ones, at the same time as the Vibrato phase dials in cyclical in line with-voice pitch modulation. The confusingly-named V-Saw tab homes Avenger’s unison controls, with which a stack of as much as seven detuned, spread voices is invoked. The Voicing tab reveals a 4-voice chord generator and quantity, wave selection and pitching parameters for the devoted sub oscillator.
With a wave or wavetable loaded, the four knobs to the proper of the critical oscillator wave display gift lots of shaping options, such as ‘bending’ to the left, proper or centre, sync, formant filtering, bitcrushing and pattern price reduction. With one or extra samples loaded, those knobs reflect 4 of the controls inside the major Sample Editor right now beneath, for adjusting the ones parameters for all samples inside the stack together.
The wave display itself, in the meantime, suggests the synthesised waveforms in actual-time, so that you can usually see what impact your wranglings are having on them. It not only seems very cool, however is also hugely informative.The next wave